Un-Scene II at WIELS, Brussels
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May 31, 2012
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WIELS Contemporary Art Centre |
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Un-Scene II |
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Belgium, one might say, has no single art scene. Or it may be, perhaps,
more accurate to say that Belgium, built as it is on divergent historic,
linguistic, and cultural foundations and given its essentially irreverent
attitude towards anything that would package it into a clear and tangible
unity, has managed to resist having a "scene" at all. In this context, the
exhibition Un-Scene II concentrates on what some might, in
shorthand, call the emerging Belgian art scene. But with its play on words,
which stresses both what appears and does not appear to constitute a
coherent "scene," this exhibition is instead an attempt to sketch out an
inevitably subjective portrait of a particular place, time, and set of
singular artistic concerns—as these are played out in the work of
young artists, some Belgian by birth, and some who have chosen Belgium as
the specific context in which to develop their work. Un-Scene II is
the second edition of what is now a triennial tradition at WIELS, an
integral part of its ongoing research into the practices and questions that
animate the artistic life around the institution. While featuring a dozen
artists working in sculpture, installation, performance, photography,
painting, and video, the exhibition brings together a suite of
idiosyncratic practices that seemed, with their specific idioms, to draw on
and put into perspective the larger questions driving art making in Belgium
today. |
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